Vittorio Sgarbi in recent weeks he has often been seen on TV to talk about his new book, “Nearby sky”, and this Sunday he was one of Domenica In’s guests for a touching interview with Mara Venier and Tommaso Cerno, to whom he confirmed his book marriage to Sabrina Colle. “Why did I get married? To give, as appropriate, a part of my sensitivity and being to those close to me and to those who give me strength in the difficulties of everyday life.“, said the art critic who until now has always been reluctant to take this step.”My choice is a form of my willingness to be a witness to my beliefs and my beliefs alone gratitude to Sabrina“, he added, underlining that the wedding will take place in Venice, at the church of Santa Maria dell’Orto.
“I lived an important part of my life in Venice, this was a return to a place of memories and a happy existence. Why marriage? To give, as appropriate, a part of my sensitivity and being to those close to me and to those who give me strength in the difficulties of everyday life.“, continued Sgarbi, adding that”Time does not change and does not change the human spirit, time makes them closer and more emotionally connected beyond their statements and behavior in life. There is a belief that some values are common and should be shared as much as possible. His irony and amusement at my jokes was one of the forms of intelligence they were currently discovering consolation and certainty over provocation. The wonder ends, the love remainswhich is the most important thing“.
In the conversation, Sgarbi explained that he decided to create an art history book dedicated to mountains because “a way to explore the themes of art history not from a historical point of view but from a philosophical point of view, to give symbolic value with what the story is told. Mountains have spiritual and philosophical value: this is the meaning of the book. I went to the mountains as a child with my parents and there I began to have a different relationship with the mountains“.
The final reflection is filled with Sgarbi’s love for art and the difficulties he has faced recently: “Caravaggio and the futurists, with the monsters that accompanied this period, searching for and discovering unknown or rarely seen works, are for me lifelong friends who accompany the days more concentrated in reflection than fate of life and things to do“.
