Victoria Aquarius is a trans filmmaker who made this her first film, which has captured the depiction of the transition and trials she has experienced over the years. A small video camera in his hand as a notebook at that time, today back in Thailand, flanked by a small team that allows him to be in the field with his two colleagues, Athena and Aamina, at the site of his past transition and their imminent operation.
A little over ten years have passed, and… Trans Memoria gauging, with the false indifference of desperate souls, the distance separating the poor new friends from what Victoria had, in her time, gone through: this ordeal of “massacre” was mentioned, she still trembled, a few ultra-simple flashes in the torture chamber for good measure. Athena and Aamina in turn prepare to face this ordeal of pain, a change of sex, and agree to speak with the person who preceded them, Victoria, who returned to the deserted place in search of the ghost of Meril, her friend. At the time Meril transitioned with him, and ultimately committed suicide.
Suicide is the constant, intoxicating scent of the film through the emptiness, the unique spleen, the desert-like ocher, the Thai beaches where there is no one else but them, the three graces in mortality. Everything around it was vast and uninhabited. The film meditates in wistful psychedelic dreams, in forgotten uncertainty, in almost Martian aridity memory by Victoria
