Paris, Saint-Pierre-Amelot line, shortly before 10 p.m., November 13, 2015. In his apartment adjacent to the Bataclan, Daniel Psenny, then a journalist at World, alerted by the sound of gunfire. He opened the window, panoramic view. He had the reflexes to film the horror scene before him. Screams. Reuben. “Oscar.” “Baby, I’m here.” The Kalashnikov shot cracked. Complaints of a woman hanging on the window: “Help me. Please. I’ll let go. I’m pregnant.” Another shouted the front door code from his window. The bloodied body was dragged painfully. “What happened?” he asked several times. “They shot at us, they shot at us !” a woman answered. “On November 13, 2015, will comment Daniel Psenny at the screening of his documentarywar came without warning beneath my window.”
Pursued by terrorist fire, some of the wounded managed to escape and rush to the Boulevard Voltaire, others could no longer do so. Therefore, the journalist filmed an important scene, an unprecedented and unique testimony of that night
