Joaquim Soler Ferret created a novel titled Paris-Biswhich Lleonard Muntaner will publish in 2013. Fins aleshores havia romàs inèdita. It is a gargantuan novel, which develops and branches out in every corner of page, description, dialogue, name or voraviu. The title has changed since Cap de Brot was re-released. Bany Cambra (1985), another novel by Quim Soler that can be used both as a crime novel and as a psychological story. The idea of duality of Paris-Bis Let’s get back to the fact that this week I added two chapters after Porrera. The first, to participate in person in a reading of the Priorat texts, organized by the Quim Soler Centre. We will have a taste of the texts written by the almost fifty writers who participated in this extraordinary initiative to consolidate a region, the Priorat, and create a collective literary dictionary. The Priory himself never stops lengthening the grain of the multiplications that Quim Soler likes so much. The reading of the lyrics is part of the Terrer festival, which concludes this week with a program that is an art of music, other arts, heritage and life. Like the Priory itself, the Terrer, in a highly flexible festival format, arranges and branches. Or rather, it branches because it has.
The reading, with Sebastià Perelló, Raquel Ricart and Maria Callís, and some of the testimonies of the wines of Porrera, the woman of the Cal Porrà cellar. A week later, this house brought together the judges of the Terra i Cultura competition which, promoted by the Lluís Llach Foundation, awarded each of the million poems set to music in the Catalan language. Aquest any earned Fredrik Strand for the version of “Es quan dormo que hi veig clar”. On the day in which the jury has decreed the feina, it then heads to the concert offered by L’Arannà, the magnetic duet formed by Lara Magrinyà and Anna Sala (here they are who multiply!), which will win the prize l’any passat. The concert is part of the great Porrera winter festival. The Arannà hi sings a first meitat that starts from the songs of Rodoreda and a second meitat that starts from the traditional music of Eivissa and Formentera. I don’t know which of the odds is the most accurate. The duet unfolds a memorable concert diptych: en sentiment molt a parlar, from the seva barreja lliure of electronica folklòrica.
The one who was unable to come to the concert is Pitu Roca, who in addition to the jurat abans meeting is available to participate in the wine tasting offered by the Porrera cellars. Correctíssim in the forms, for the orella, accompanies the explanations of each winemaker and notes all those he met. He has more than forty years of names from Porrera. Everyone will then share, to accompany the dishes cooked by Jonàs Macip, winemaker from Giol Porrera, a copy of the recital by the Tallats de Lluna theater company, from Porreres, the Mallorcan German village of Porrera. I’ve broken down a lot of multiplication with my types. Everything is fine. Don’t wait for that, oi, Quim Soler?
